(Source: 90degreesf, via solero97)

polishartandtea:

Adam Styka 1890-1959 (Polish), Pyramids at Gizeh , oil on canvas, 1930

polishartandtea:

Adam Styka 1890-1959 (Polish), Pyramids at Gizeh , oil on canvas, 1930

(via solero97)

fohk:

“Why gamble with money when you can gamble with people’s lives?”
Primal Fear (1996)Gregory Hoblit

fohk:

Why gamble with money when you can gamble with people’s lives?”

Primal Fear (1996)
Gregory Hoblit

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http://qock.tumblr.com/

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sews:

Original 

arthur kleinjan, paris looks. 1999-2001

Between 1999 and 2001, the artist spent hours perched in a balcony above the Sacré Coeur church in Paris, watching the people below. As tourists struck poses for souvenir snapshots, he would take a second photograph from behind.

“Sometimes it takes a few seconds for their friends to get the camera ready, and they suddenly don’t know what to do with their bodies. They ask themselves, what leg do I stand on? A bag, or a bottle of water should be out of the image, so they keep it behind their back. They design themselves into what they think is a nice picture … I wanted to show the moment of alteration, as the tourists transform themselves into an image. They seem very self-conscious about the way they look. Vulnerability is revealed. Their discomfort with their own body, as they stand there, is isolated in time and space, waiting to become a future memory.” (x)

(Source: infesting, via solero97)

(Source: vertigo-network, via solero97)

o-toto:

SAND TAN | Emma Amos

o-toto:

SAND TAN | Emma Amos

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(Source: craigslistmirrors, via solero97)

http://www.stylebattles.com/?b=n2d

(Source: topnaildesigns, via ppaarraassaauurroolloopphhuuss)

transamorem-transmortem:

Mossane, 1996. Director Safi Faye

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